One of my bedside books for the past few months has been:
Musicophilia, Tales of Music and The Brain by Oliver Sacks. I think I’ve mentioned before that I rarely read a new book from front to back at first opening!
According to his bio Oliver Sacks is a professor of neurology and psychiatry at Columbia University Medical Center in New York City. The book is a worthwhile read covering many topics relating to how music can and does affect and help the lives of diverse populations and conditions.
My most recent musical interludes have involved three of note: First in July I watched the Barbershop Harmony Society’s 2009 webcast of its International Competition for quartets, choruses and college level quartets.
For those of you who still don’t know: The Barbershop Harmony Society (formerly the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America — SPEBSQSA) is alive and well for those who love to sing 4‑part a cappella music in that traditional manner.
My connection with The Society has lasted 19 years since my sons started singing barbershop when they were 9 and 12 years of age. We are all now passionate about quality barbershop harmony.
This year’s competition was amazing in many ways: our sons weren’t competing in the quartet competition for the first time in a good many years; the chorus competition was awesome; the quartet competition was interesting. However, those gathered to watch were on a musical high for several days and all other burdens were forgotten — the gift of barbershop harmony.
Secondly, on the other end of the spectrum: I was assisting with music time in the daycare facility where I work where usually one of our younger assistants offers a fun time for the children with action rhymes and action songs — all very tuneful!
On this particular day I discovered that another of our staff members, thinking she was ‘good at music’ I believe, lead the session. I suddenly realised that the person beside me could not hold pitch (something which is critical to singing barbershop harmony well!).
So it started me thinking about young children who really don’t have good music in their lives.
I’m not sure why I’ve just started thinking about music in children’s lives. Perhaps because in my own world everyone could carry a tune and over their lives had enjoyed good music. None of us would be thought of as particularly musical, but good music abounded in my world of growing up. For some of us it was extremely personal and private but nevertheless critical to our daily lives.
So imagine a world where the only music you hear is a repeat of ‘classical music for babies’, your parents don’t sing along or show joy in their music, or you simply watch videos/movies with their accompanying music, as you drive in the car.
I’ve said before, our oldest son learned to read fast from listening to Billy Joel’s music and reading the lyrics at the speed of the music. It was just what we had in the car on one of our local family journeys.
Our youngest son actually improved his speed-reading by singing barbershop harmony — to carry a tune, get every note right (read the musical notes for your voice part) plus get the words to a song aligned with those notes, is a multiple task for the brain. Spurred further by the desire to be as good as those around you with many more years of singing harmony under their belts — it worked!
Our family has offered our sons a diversity of quality music from almost every tuneful genre. Thanks to Mr. Sacks’ book I now know the contribution of music to their brains.
Thirdly, I recently played Placido Domingo singing songs from a Puccini opera to almost‑3 year olds. The children calmly went about their morning activities.
Such a contrast from the ineffectual ‘classical music for babies’ which is played day after day, virtually all day, under the impression that ‘classical music is calming for children’. Such music is put on by people who are not passionate about any sort of music — they simply read the literature and follow thru without knowledge, interest or passion.
Young children quickly remember and sing along to music that is regularly delivered with passion. I also know that many (perhaps most) children can actually hear pitch and even though they may unconsciously start out singing flat or sharp their voices rise to those who are singing in pitch — I’ve heard and watched it happen, it’s not a theory!
Music is good for the souls and brains of every individual!